Adam Garelick Photography

Thoughts on the Photographic Process

The Flatiron Building

The Williamsburg Bridge

The Guggenheim Museum

Sailboat in Moonlight

Occupy Wall Street Protest

42nd Street, New York City

Long Exposure Photographs from Connecticut

Nouvel Chelsea

Photographs of Nouvel Chelsea, a residence located in New York City and designed by Ateliers Jean Nouvel.

Recent Photographs from New York and Connecticut

A few recent photographs I took in New York and Connecticut

Robert Frank’s London

Photo by Robert Frank

This Robert Frank photograph is one of my favorites. It was taken in London in the early 1950’s, and captures a moment in which a well-dressed man walks passed a laborer as he struggles to lift a heavy sack over his shoulders. The moment is fleeting, but also profound in its social commentary. It defines each man in contrast to the other – affluent versus poor, professional versus laborer, leather gloves versus workman’s gloves, pressed-pants versus torn pants.

By all appearances, the businessman has achieved a level of material success that has alluded the laborer. He wears an elegant long coat and a top hat. He holds an umbrella by his side, though it is not raining. He seems to gaze away from the laborer, as though he is unaware, or perhaps wants to be unaware, of the polarized social dynamic that the photographer plainly recognizes.

What I like so much about this photograph, though, is its depth. Initially, the viewer observes the stark contrasts between both men. About all they seem to have in common is their physical proximity.

But ultimately there is an undercurrent of similarity that links the two men together. Each is a worker, in some sense. Each has a designated role to perform in society, a skill-set of some value to offer. Their particular experiences may be different, but ultimately, they are each indebted to their own needs, and therefore to the job that enables them to meet those needs. They are free men, but neither can escape the necessity of a paycheck. And so they toil in the street, or in the office, in torn pants, or in a suit. Their particular tasks are different, but their reason for doing them is the same.

At one level, this photograph serves as a social critique of 1950‘s London. But it also challenges the viewer to reach further and to recognize that despite their differences, neither man is immune to the imperatives of the human condition.

Follow

Get every new post delivered to your Inbox.